Tourism in Ponorogo East Java with Local Wisdom Inside (Larungan,Grebeg Suro,Reog Ponorogo,Ludruk)
A Softskill Task from Mr. M.Kholiq,3 SA 01
This study revealed several findings about the cultural resistance that made the traditional owners in the District Ngebel larungan Ponorogo. Framework of the study is a qualitative research approach vestehen or sociological models of understanding, which gives a deeper meaning, the relationship between the specific circumstances in which the behavior occurs. Informants in this study were the perpetrators of ritual float treatise, both structurally and culturally engaged. In addition to interviews, data in this study were collected through observation and documentary. While the methods of data analysis through the analytical description, which describes the categories that are found and emerged from the data.
The major findings in this study is divided into six subjects, namely larungan history, patterns of relationships between actors float, pattern of cultural resistance, the impact of cultural resistance, the struggle between the perspectives and interests, and empowerment.
In this study, the history larungan had two phases, namely before and after the institutionalized institutionalized. Before institutionalized larungan began a very long time in the form slametan, wilujengan, and has not been found when first born, who the originator, what his motives, and so on. It is likely that this phase larungan existed since the Ngebel community, as evidenced by a ritual laden with animistic spirit of dynamism. After larungan institutionalized in the form of ritual offerings float float all the components of the actors to feel involved in this larungan history, so the impact on the sustaining of which are equally strong. This new ritual larungan reap the conflict after converted into float treatise in which the perspective and interests of dominant groups into encouraging this ritual.
Patterns of social relations between actors sometimes intimate and sometimes float an argument. Intimacy or harmony occurs when all components uphold togetherness, openness, and understanding in the midst of perspectives and interests of groups that appear. Contention or disharmony occurs when the "coercive" perspective or a particular interest and cheer up this larungan ritual.
"Coercion" cultural ritual larungan float through childbirth 3 Minutes of the motives of people's resistance (the owner of the customary ritual in Ngebel larungan): (1) strengthening the internal identity through the coordination and consolidation of indigenous larungan fellow owners to preserve indigenous heritage of their ancestors as they are, (2 ) offset the Islamization movement of religious leaders through the float Minutes of the de-Islamization movement through the strengthening of the symbols of offerings, and (3) maintaining the stability of arousal lake tourism development in order to make it happen Ngebel become the mainstay of tourism in Ponorogo. In the dynamics of cultural resistance was found two effects, namely negative and positive. Negative impacts associated with the lack of local support for the implementation of ritual offerings float. While the positive impact of high society to bear the creativity of cultural expression through ritual larungan "counterculture", including the emergence of the procession Lampah Sewudian Ratri (walk around the lake at midnight with a torch lit thousand), which could be through the creation of this will further strengthen the charm of Lake Ngebel tour.
Struggle between different perspectives and interests finally actually happens when ritual larungan Minutes turn into float. Religious leaders (Muslim) who initially had the desire to paint it the color of Islamic ritual, has unwittingly given the opportunity emergence of organic solidarity in society as well as mechanical customary owners to reinforce the messages of formal indigenous heritage of their ancestors, so that aspect of the offering raised stronger. Meanwhile, the authorities (local government) who have an interest in preserving the local culture as well as strengthening tourism development Ngebel lake, do not have the full power of moving the traditional owners of community spirit, due to its support for the movement of Islamization by the religious leaders. And on the sidelines of the struggle, there are also Muslim community "militants" who want pensikapan Ngebel larungan ritual with the activities of Islamic culture through the rational and religious events are covered in the agenda istighatsah.
In the cultural struggle that it still leaves room to build openness, togetherness and understanding between the components of society (religious leaders, government, and the owner of the indigenous community), ie, the timeline is going to embody the spirit of Lake Ngebel become the mainstay of tourism in Ponorogo. Therefore, appropriate Government Ponorogo be wise to make the spirit of this being the key word that should be held all the parties, though each still has perpsektif and its own interests. Ritual larungan in Lake Ngebel, whatever the form and content, it will produce great work and provide broad benefits, understanding the logic senyampang survive and be guided by each party larungan perpetrators of this ritual.
Arts and Culture in East Java
East Java has a number of distinctive artistry. Ludruk is one Timuran Javanese art is very well known, the art of the stage that generally all the players are men. In contrast to ketoprak which tells the life of the palace, ludruk told the daily life of ordinary people, often spiced with humor and social criticism, and generally opened by Remo Dance and parikan. Currently traditional ludruk group can be found in Surabaya, Mojokerto and Jombang; despite getting beaten by the modernization of its existence.
Reog who had claimed to be the dance of Malaysia is a typical art Society, patented since 2001, reog now also become an icon of East Javanese art. Accompanied by a horse staging reog braid (kuda lumping) are accompanied by supernatural elements. Other well-known art of East Java include Javanese shadow puppet style purwa Timuran, mask mastermind Madura, and made. In areas Mataraman, Middle Javanese arts such as puppet ketoprak and quite popular. Famous legend from East Java, among others Damarwulan and Angling Darma.
Traditional dance in East Java in general can be grouped in the style of Middle Javanese, Javanese style Timuran, dance styles Osing Java, and Madura style queue. Classical dance, including dance Gambyong, srimpi dance, dance bondan, and wanderer.
a. Dance
Remong dance, a dance that symbolizes the spirit of Surabaya, heroism. Danced in time to welcome the guests. Reog Ponorogo, East Java is a dance that shows courage, manliness and bravery.
b. Music
East Javanese traditional music is similar to the Central Javanese gamelan music as sort of the barrel (scales) used the gamelan barreled and barreled slendro slendro. The names of the gamelan that exist eg toads crawling gamelan, gamelan munggang, sekaten gamelan and gamelan big. Gamelan is now used to accompany various events, such as leather puppet accompaniment, puppet people, ketoprak, dances, ceremonies sekaten, marriage, circumcision, keagaman, and even kenegaraan.Di existing Madura gamelan music called Gamelan Sandur.
c. Custom home
Building forms the western part of East Java (as in Ngawi, Madison, Magetan, and Ponorogo ) is generally similar to the shape of the building Middle Javanese (Surakarta). East Javanese buildings generally have joglo shape, pyramid shape (virgin gepak), form srontongan (empyak setangkep). Dutch East Indies colonial period also left a number of ancient buildings. Cities in East Java, there are many buildings built in the colonial era, especially in Surabaya and Malang. Java has a variety of beauty culture and the arts are integrated with community life. various traditional arts and cultural heritage of the works contained in the Java community as batik, home joglo, keris and gamelan. works of art and cultural heritage of Java such as these are very popular and get his own place in the hearts msyarakat and tourists visiting Yogyakarta. Want a home atmosphere with joglonya Java can be done with traditional and cultural tour in Yogyakarta. Now it has emerged that offers a large selection of day trips and local cultural properties covered in the tourist village. You must be able to enjoy the atmosphere as the Javanese village was actually karenan desawisata been combined with local wisdom that deserves your visit.
d. Traditional clothing
East Javanese traditional clothes called mantenan. These garments are often used during the marriage d Magetan East Java
e. Crafts
Various kinds of bamboo craft superior products such as: hat, hats, trays, lampshades, tissue holder, place the fruit, where newspapers and various other souvenirs from bamboo. Industrial centers are located in the Village Ringinagung + - 1.5 the southwest city of Magetan.
f. Marriage
East Java's population adheres to generally monogamous. Prior to the application, the men do the show nako'ake (asking if the girl already has a future husband), after it's done Peningsetan (application). The marriage ceremony was preceded by the gathering or kepanggih. To pray for the dead, usually the family to send a donga on day-1, the 3rd, the 7th, the 40th, to-100, 1 year and 3 years after death.
Grebeg Suro
This is one festival that you should see in Ponorogo, East Java. A festival is held each year and has become the party of the people Ponorogo. Grebeg Suro will take place at the Ponorogo on 20 to 27 November 2011.
Grebeg Suro Ponorogo was held by the public to welcome the month of Suro or coinciding with the Islamic new year 1 Suro. At that time the Ponorogo’s held tirakatan around all night with the city and stopped at the Square Ponorogo.
Suro Grebeg Ponorogo a tradition of cultural events in the form of Society community festival. Art and tradition displayed include the National Reog Festival, Parade and Carnival Heritage Cross History and Proceedings of Prayer at Lake Larungan Ngebel.
You will see a procession to the cemetery district submission of the first heirloom Ponorogo. Then followed a parade of hundreds of people to downtown by riding a decorated horse and gig. Next there will be a National Reog Festival in the town square. At that time dozens of groups in East Java reog even from Kutai Kartanagara, Central Java, Balikpapan, and Lampung will also appear enliven this festive event.
Suro Grebeg Ponorogo already done a dozen years as it is considered to have the local knowledge including symbolic value, the value of responsibility, the value of beauty, moral values, the entertainment value, cultural value, social value, economic value, value appreciation, and religious values. With the values embodied these noble it was natural Grebeg Ponorogo Suro always maintained until now by the Society.
This study revealed several findings about the cultural resistance that made the traditional owners in the District Ngebel larungan Ponorogo. Framework of the study is a qualitative research approach vestehen or sociological models of understanding, which gives a deeper meaning, the relationship between the specific circumstances in which the behavior occurs. Informants in this study were the perpetrators of ritual float treatise, both structurally and culturally engaged. In addition to interviews, data in this study were collected through observation and documentary. While the methods of data analysis through the analytical description, which describes the categories that are found and emerged from the data.
The major findings in this study is divided into six subjects, namely larungan history, patterns of relationships between actors float, pattern of cultural resistance, the impact of cultural resistance, the struggle between the perspectives and interests, and empowerment.
In this study, the history larungan had two phases, namely before and after the institutionalized institutionalized. Before institutionalized larungan began a very long time in the form slametan, wilujengan, and has not been found when first born, who the originator, what his motives, and so on. It is likely that this phase larungan existed since the Ngebel community, as evidenced by a ritual laden with animistic spirit of dynamism. After larungan institutionalized in the form of ritual offerings float float all the components of the actors to feel involved in this larungan history, so the impact on the sustaining of which are equally strong. This new ritual larungan reap the conflict after converted into float treatise in which the perspective and interests of dominant groups into encouraging this ritual.
Patterns of social relations between actors sometimes intimate and sometimes float an argument. Intimacy or harmony occurs when all components uphold togetherness, openness, and understanding in the midst of perspectives and interests of groups that appear. Contention or disharmony occurs when the "coercive" perspective or a particular interest and cheer up this larungan ritual.
"Coercion" cultural ritual larungan float through childbirth 3 Minutes of the motives of people's resistance (the owner of the customary ritual in Ngebel larungan): (1) strengthening the internal identity through the coordination and consolidation of indigenous larungan fellow owners to preserve indigenous heritage of their ancestors as they are, (2 ) offset the Islamization movement of religious leaders through the float Minutes of the de-Islamization movement through the strengthening of the symbols of offerings, and (3) maintaining the stability of arousal lake tourism development in order to make it happen Ngebel become the mainstay of tourism in Ponorogo. In the dynamics of cultural resistance was found two effects, namely negative and positive. Negative impacts associated with the lack of local support for the implementation of ritual offerings float. While the positive impact of high society to bear the creativity of cultural expression through ritual larungan "counterculture", including the emergence of the procession Lampah Sewudian Ratri (walk around the lake at midnight with a torch lit thousand), which could be through the creation of this will further strengthen the charm of Lake Ngebel tour.
Struggle between different perspectives and interests finally actually happens when ritual larungan Minutes turn into float. Religious leaders (Muslim) who initially had the desire to paint it the color of Islamic ritual, has unwittingly given the opportunity emergence of organic solidarity in society as well as mechanical customary owners to reinforce the messages of formal indigenous heritage of their ancestors, so that aspect of the offering raised stronger. Meanwhile, the authorities (local government) who have an interest in preserving the local culture as well as strengthening tourism development Ngebel lake, do not have the full power of moving the traditional owners of community spirit, due to its support for the movement of Islamization by the religious leaders. And on the sidelines of the struggle, there are also Muslim community "militants" who want pensikapan Ngebel larungan ritual with the activities of Islamic culture through the rational and religious events are covered in the agenda istighatsah.
In the cultural struggle that it still leaves room to build openness, togetherness and understanding between the components of society (religious leaders, government, and the owner of the indigenous community), ie, the timeline is going to embody the spirit of Lake Ngebel become the mainstay of tourism in Ponorogo. Therefore, appropriate Government Ponorogo be wise to make the spirit of this being the key word that should be held all the parties, though each still has perpsektif and its own interests. Ritual larungan in Lake Ngebel, whatever the form and content, it will produce great work and provide broad benefits, understanding the logic senyampang survive and be guided by each party larungan perpetrators of this ritual.
Arts and Culture in East Java
East Java has a number of distinctive artistry. Ludruk is one Timuran Javanese art is very well known, the art of the stage that generally all the players are men. In contrast to ketoprak which tells the life of the palace, ludruk told the daily life of ordinary people, often spiced with humor and social criticism, and generally opened by Remo Dance and parikan. Currently traditional ludruk group can be found in Surabaya, Mojokerto and Jombang; despite getting beaten by the modernization of its existence.
Reog who had claimed to be the dance of Malaysia is a typical art Society, patented since 2001, reog now also become an icon of East Javanese art. Accompanied by a horse staging reog braid (kuda lumping) are accompanied by supernatural elements. Other well-known art of East Java include Javanese shadow puppet style purwa Timuran, mask mastermind Madura, and made. In areas Mataraman, Middle Javanese arts such as puppet ketoprak and quite popular. Famous legend from East Java, among others Damarwulan and Angling Darma.
Traditional dance in East Java in general can be grouped in the style of Middle Javanese, Javanese style Timuran, dance styles Osing Java, and Madura style queue. Classical dance, including dance Gambyong, srimpi dance, dance bondan, and wanderer.
a. Dance
Remong dance, a dance that symbolizes the spirit of Surabaya, heroism. Danced in time to welcome the guests. Reog Ponorogo, East Java is a dance that shows courage, manliness and bravery.
b. Music
East Javanese traditional music is similar to the Central Javanese gamelan music as sort of the barrel (scales) used the gamelan barreled and barreled slendro slendro. The names of the gamelan that exist eg toads crawling gamelan, gamelan munggang, sekaten gamelan and gamelan big. Gamelan is now used to accompany various events, such as leather puppet accompaniment, puppet people, ketoprak, dances, ceremonies sekaten, marriage, circumcision, keagaman, and even kenegaraan.Di existing Madura gamelan music called Gamelan Sandur.
c. Custom home
Building forms the western part of East Java (as in Ngawi, Madison, Magetan, and Ponorogo ) is generally similar to the shape of the building Middle Javanese (Surakarta). East Javanese buildings generally have joglo shape, pyramid shape (virgin gepak), form srontongan (empyak setangkep). Dutch East Indies colonial period also left a number of ancient buildings. Cities in East Java, there are many buildings built in the colonial era, especially in Surabaya and Malang. Java has a variety of beauty culture and the arts are integrated with community life. various traditional arts and cultural heritage of the works contained in the Java community as batik, home joglo, keris and gamelan. works of art and cultural heritage of Java such as these are very popular and get his own place in the hearts msyarakat and tourists visiting Yogyakarta. Want a home atmosphere with joglonya Java can be done with traditional and cultural tour in Yogyakarta. Now it has emerged that offers a large selection of day trips and local cultural properties covered in the tourist village. You must be able to enjoy the atmosphere as the Javanese village was actually karenan desawisata been combined with local wisdom that deserves your visit.
d. Traditional clothing
East Javanese traditional clothes called mantenan. These garments are often used during the marriage d Magetan East Java
e. Crafts
Various kinds of bamboo craft superior products such as: hat, hats, trays, lampshades, tissue holder, place the fruit, where newspapers and various other souvenirs from bamboo. Industrial centers are located in the Village Ringinagung + - 1.5 the southwest city of Magetan.
f. Marriage
East Java's population adheres to generally monogamous. Prior to the application, the men do the show nako'ake (asking if the girl already has a future husband), after it's done Peningsetan (application). The marriage ceremony was preceded by the gathering or kepanggih. To pray for the dead, usually the family to send a donga on day-1, the 3rd, the 7th, the 40th, to-100, 1 year and 3 years after death.
Grebeg Suro
This is one festival that you should see in Ponorogo, East Java. A festival is held each year and has become the party of the people Ponorogo. Grebeg Suro will take place at the Ponorogo on 20 to 27 November 2011.
Grebeg Suro Ponorogo was held by the public to welcome the month of Suro or coinciding with the Islamic new year 1 Suro. At that time the Ponorogo’s held tirakatan around all night with the city and stopped at the Square Ponorogo.
Suro Grebeg Ponorogo a tradition of cultural events in the form of Society community festival. Art and tradition displayed include the National Reog Festival, Parade and Carnival Heritage Cross History and Proceedings of Prayer at Lake Larungan Ngebel.
You will see a procession to the cemetery district submission of the first heirloom Ponorogo. Then followed a parade of hundreds of people to downtown by riding a decorated horse and gig. Next there will be a National Reog Festival in the town square. At that time dozens of groups in East Java reog even from Kutai Kartanagara, Central Java, Balikpapan, and Lampung will also appear enliven this festive event.
Suro Grebeg Ponorogo already done a dozen years as it is considered to have the local knowledge including symbolic value, the value of responsibility, the value of beauty, moral values, the entertainment value, cultural value, social value, economic value, value appreciation, and religious values. With the values embodied these noble it was natural Grebeg Ponorogo Suro always maintained until now by the Society.
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